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・ Ritual (Hayder novel)
・ Ritual (Jape album)
・ Ritual (Keith Jarrett album)
・ Ritual (Los Piojos album)
・ Ritual (Master's Hammer album)
・ Ritual (Peter Frohmader album)
・ Ritual (Pinner novel)
・ Ritual (Shaaman album)
・ Ritual (The Black Dahlia Murder album)
・ Ritual (White Lies album)
・ Ritual Aesthetic
・ Ritual and Domestic Life in Prehistoric Europe
・ Ritual Carnage
・ Ritual clown
・ Ritual Coffee Roasters
Ritual de lo habitual
・ Ritual Decalogue
・ Ritual Entertainment
・ Ritual Fire Dance
・ Ritual Groove Music
・ Ritual II
・ Ritual in Repeat
・ Ritual landscape
・ Ritual of Battle
・ Ritual of Evil
・ Ritual of Love
・ Ritual of oak and mistletoe
・ Ritual of Restoration
・ Ritual of the Bacabs
・ Ritual of the Calling of an Engineer


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Ritual de lo habitual : ウィキペディア英語版
Ritual de lo habitual

| Length = 51:30
| Label = Warner Bros.
| Producer = Dave Jerden, Perry Farrell
| Last album = ''Nothing's Shocking''
(1988)
| This album = ''Ritual de lo habitual''
(1990)
| Next album = ''Strays''
(2003)
| Misc =

}}
''Ritual de lo habitual'' is the second studio album (third overall) by Jane's Addiction, released on August 21, 1990, by Warner Brothers. Co-produced by Dave Jerden, it was the band's final studio album before their initial break-up in 1991. Singles from ''Ritual de lo Habitual'' include "Been Caught Stealing" and "Stop!". ''Ritual de lo habitual'' is certified 2x Platinum in the U.S.
==Music==
The album is roughly broken into two parts. Tracks 1–5 consist of unrelated hard rock style songs. The cassette tape of this album has about ten minutes of silence on side "A". Tracks 6–9, as a whole are in memoriam of singer Perry Farrell's deceased friend known as Xiola Blue, who died of a heroin overdose in 1987 at the age of 19 ("Then She Did" also chronicles Farrell's mother's suicide when he was 4 years old). "Three Days" and "Then She Did," in particular, have a progressive rock influence, while "Of Course" carries an Eastern-influence, with a prominent violin throughout.
The intro segment of "Ain't No Right" features Perry Farrell singing excerpts from "Sex & Drugs & Rock & Roll" by Ian Dury and the Blockheads, which Farrell eventually slurs into an angry rant. At this point, the intro ends and Ain't No Right begins.
"I can spot traces of other people on this album, us included," remarked Alice Cooper, "but that's all they are: traces. They were a really original band. This is their peak album, where they really went out on a limb. Sometimes I get so caught up in these songs, I can actually feel the band pushing themselves to their limits. Sometimes I can't believe how strong it is. I wonder if this will have the same effect on some kid as Chuck Berry had on me…"〔''Melody Maker'', 18 June 1994〕

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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